View the newsletter below to see the latest from the QC Art Department, including a message from the chair, news about our faculty, and some new technology in the Klapper Image Lab!
Come see painting professor Glenn Goldberg’s latest works in the opening of his show Beach and Quiet ( a rest stop) at Studio 10 in Brooklyn, Nov 9th-Dec 16th. An opening reception will take place Friday, Nov 9th, 7-9pm. For more information, visit the Studio 10 website!
Congratulations to Design professor Matthew Thurber on the publication of his new graphic novel, Art Comic! There will be a book tour in support of publication, including a stop in Brooklyn at Desert Island on Oct. 4th.
Publisher’s Weekly praised Thurber’s book with the following: “Those who inhabit the world of fine art would do well to steer clear of this latest effort by Thurber, as they’ll quickly realize what a magnificent job it does of skewering their milieu. Originally published as a series of comic pamphlets, Art Comic begins with a cast of characters in the final stages of art school. Their teacher alternately encourages and berates them, demanding originality and integrity while questioning how he ended up in his soul-destroying occupation. But Thurber’s criticism extends beyond the classroom, taking aim at art criticism, the realities of the working artist, and the suppression of new talent. Thurber’s colorful, cartoonish creations are pitch perfect for the subject, their exaggerated mannerisms underscoring the frivolous and mercurial field.”
To read more about Art Comic and pick up a copy, visit Drawn & Quarterly!
All are invited to attend the opening reception of Chloë Bass’s show The Book of Everyday Instruction on Saturday, April 21st, 6:00-9:00pm. The exhibition will show at The Knockdown Center in Maspeth, Queens from April 21st – June 17th, with special programming and events during the show.
Friday, May 25, 7:00 pm: Couples Counseling for Artists and Institutions Workshop + Book Launch
Sunday, June 3, 5:00pm: A Field Guide to Spatial Intimacy Workshop
Thursday, June 14 , 7:00pm: Protect and Preserve Lecture Performance + Closing Party
Knockdown Center presents Chloë Bass: The Book of Everyday Instruction, an eight-chapter investigation of one-on-one social interaction, exploring an expanded understanding of pairing. On view for the first time in its entirety, the exhibition includes all eight major projects developed by Bass between January 2015 and January 2018 as well as additional interventions created in response to Knockdown Center’s public spaces outside of the gallery. Coinciding with the exhibition, the project will also be released as a book, published by The Operating System, and designed and edited by Lynne Desilva-Johnson.
Bass uses daily life as a site of research to study the modes and scales of intimacy, locating where patterns hold and break as group sizes expand. Her works prioritize the fostering and observing of everyday interpersonal situations, and take a variety of forms across photography, text, video, sculpture, performance, a mobile phone app, poetic modes of documentation, and site-specific interventions. Presented in sequential chapters, each with its own central question and focus, Bass’ inquiries expand in scale and scope; she begins with an investigation of intimacy between herself and a stranger, and expands outward to study the relationships between individuals and their safe spaces, institutions, and finally cities.
Ceramics teacher Sin-ying Ho is currently exhibiting at the Hood Art Museum’s temporary exhibition space from now through May 27th. Visit the Hood Downtown at 53 Main Street, Hanover, NH – admission is always free!
About the exhibition:
“If Chinese ceramic art has a heart, it beats in Jingdezhen. For centuries, artisans there have made vessels that traveled far and wide. Their fluid forms and recognizable decorations have inspired celebratory prose and devoted followers around the world. Today, artist Sin-ying Ho works in these same ceramics factories. Though Jingdezhen potters have long defined tradition, Ho has expanded both their forms and their imagery in contemporary ceramics that are thoroughly of the twenty-first century. Whether they are monumental vases or smaller, more clearly assembled sculptures, she makes her works from multiple parts brought together as a whole. She emphasizes the many parts by glazing each of the pieces differently. Together they form a whole that maintains the legacy of being created from myriad fragments.
The process of building is an essential metaphor for Sin-ying Ho’s artistic practice. With it, she implies an optimism for our society’s continued ability to construct a unified world. As reflected in her technique, and in the themes addressed by her surface imagery, this world will necessarily be an amalgam of new and old, here and there, greed and generosity, men and women, faith and despair. Through these combinations, Ho shares a worldview that acknowledges the inherent contradictions and challenges of global culture while also anticipating the uncanny beauty emerging all around us.”
For more information about the exhibition and about the Hood Museum of Art, visit their website!
Art as Social Action is both a general introduction to and an illustrated, practical textbook for the field of social practice, an art medium that has been gaining popularity in the public sphere. With content arranged thematically around such topics as direct action, alternative organizing, urban imaginaries, anti-bias work, and collective learning, among others, Art as Social Action is a comprehensive manual for teachers about how to teach art as social practice.
Along with a series of introductions by leading social practice artists in the field, valuable lesson plans offer examples of pedagogical projects for instructors at both college and high school levels with contributions written by prominent social practice artists, teachers, and thinkers.
To learn more or to pre-order a copy, visit Allworth Press.
Queens College is proud to announce professor Gregory Sholette’s new book Delirium and Resistance: Activist Art and the Crisis of Capitalism published by the University of Chicago Press!
“In the aftermath of the 2016 US election, Brexit, and a global upsurge of nationalist populism, it is evident that the delirium and the crisis of neoliberal capitalism is now the delirium and crisis of liberal democracy and its culture. And though capitalist crisis does not begin within art, art can reflect and amplify its effects to positive and negative ends.
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful firsthand account of the relationship between politics and art in neoliberal society. Sholette lays out clear examples of art’s deep involvement in capitalism: the dizzying prices achieved by artists who pander to the financial elite, the proliferation of museums that contribute to global competition between cities in order to attract capital, and the strange relationship between art and rampant gentrification that restructures the urban landscape.
With a preface by noted author Lucy R. Lippard and an introduction by theorist Kim Charnley, Delirium and Resistance draws on over thirty years of critical debates and practices both in and beyond the art world to historicize and advocate for the art activist tradition that radically—and, at times, deliriously—entangles the visual arts with political struggles.”
For more information or to purchase a copy of the book, visit University of Chicago Books.