The ISCP is accepting internship applications year-round!
The International Studio & Curatorial Program (ISCP) supports the creative development of artists and curators, and promotes exchange through residencies and public programs. Housed in a former factory in Brooklyn, with 35 light-filled work studios and two galleries, ISCP is New York’s most comprehensive international visual arts residency program, founded in 1994. ISCP organizes exhibitions, events and offsite projects, which are free and open to all, sustaining a vibrant community of contemporary art practitioners and diverse audiences.
About the internships: ISCP interns engage in all aspects of the day-to-day operations of an international not-for-profit arts organization and gain invaluable experience while being introduced to a vast network of international art professionals. Due to ISCP’s small staff, interns play a critical role in the administration of ISCP’s overall program. Administrative internship are focused on programs, development, finance or communications. ISCP internships can provide a foundation in a variety of skills, and offer experience and contacts for future careers in the following professions: curator, artist, and arts administrator.
ISCP offers a stipend of $12 per day for transportation and lunch. All interns are invited to select monthly field trips and all public programs.
Qualifications: Excellent written and verbal communication skills, multitasking, reliability, team player, Mac proficiency (Word and Excel), basic Creative Suite knowledge a plus, experience with database systems (Salesforce a plus), strong organizational skills, interest in non-profit arts administration and contemporary art. Eligibility to work in the United States is required. Please note: candidates must be of junior-year college level or above to be considered. Serious inquiries only need apply.
Duration: Internships generally start in September, January, and June. All internships require a minimum commitment of 16 hours (2 days) per week, and a number of openings require a three or four day per week commitment, both for a minimum of four months.
How to apply: Prospective applicants please email cover letter (specifying area of interest and dates of availability) and resume to firstname.lastname@example.org.
Priority deadlines: January 31 for Winter/early Spring internships, February 28 for late Spring/Summer Internships, and August 1 for Fall/Winter internships.
The International Studio & Curatorial Program (ISCP) is an Equal Opportunity Employer. ISCP does not discriminate due to age, sex, religion, race, color, national origin, disability, marital status, veteran status, sexual orientation, or any other factor prohibited by law.
For more information about the ISCP and to view current and upcoming events, visit their website!
Still looking for an intermediate painting course towards your concentration or as an elective? Seats are still available for Watercolor I with Prof. Cannon, Fridays 2-5:50pm! To enroll, email Jessica Membreno and include your full name and Student ID to be registered for the course!
MFA student and Queens native Melissa Misla discusses her paintings, which use the motif of apartments to explore the influence of culture and identity.
ARTS 777: History and Theory of Social Practice
Art as History? Art as Thinking? Art as Research? Art as Work? The aim of this seminar is to survey, critique and historicize the theory and practice of activist, interventionist, public, participatory and community based art that operates within and across fields such as performance, urban studies, environmental science and other socially engaged disciplines. The class will focus on such questions as: Why is it useful, even necessary, to understand the history and theory of social practice art? Where should we look to find the historical roots of social practice art? Are these within the history of art, or external to it, in the broader social sphere? In an increasingly privatized society how do we define and operate within a concept of the public sphere? And how are both mainstream and alternative type cultural institutions responding to the increasing interest in socially engaged art by emerging artists? Through lectures, readings, discussions, student presentations, group activities, guest speakers and off-site visits to galleries and museums we will seek to position socially-engaged visual culture and the shifting role of the artist within an historical, ideological, and critical framework.
The Art department is pleased to offer a special printmaking course in Spring 2019 for both graduate and undergraduate students. With the instruction of experienced printmaker Lisa Mackie, this course will cover Lithography and Monotype Processes. Drawing and printing with litho plates and stones in both black-and-white and color will be presented, as well as photo processes using black-and-white laser prints as a matrix and aluminum photo litho plates. Images may be re-examined, varied, and extended through the exploration of water-based monotype mylar overlays. Catalytic assignments are presented throughout the course. Students will be asked to visually examine their concepts and allow their artwork to develop within the parameters and new territory of lithography and into mixed media. Finally, the course will teach students about the heritage, history, and technology of traditional and contemporary printmaking.
Becoming Insect, Professor Greg Sholette
Contemporary studio art /social theory/ swarm politics
Klapper 284, Tuesdays 2:00PM – 5:50PM
The QC art department is pleased to offer a new cross-disciplinary course for students of: Art, Media, Environmental Studies, Urban Theory, Music, Sound Art, Theater, Dance, Film, and Writing
Fusing project-based studio practice with individual research this hybrid seminar explores the shifting line between contemporary art and social practice through the lens of what we consider the human and the non-human. Becoming Insect approaches socially engaged cultural learning through interdisciplinary creative expression this course combines artistic methods with environmental observation and scientific studies of arthropod morphology and eusocial behavior patterns, as well as the ways these visual and physical attributes have influenced a wide range of fields including, though not limited to literature, two and three dimensional artistic representation, socially engaged art, photography, 3-D printing, data visualization, fashion arts, media, robotics, urban design, architecture, political theories, and popular culture.